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And in this instance, you who are theįather of letters, from a paternal love of your own children have been led to attribute to them a quality which they cannot The best judge of the utility or inutility of his own inventions to the users of them. Thamus replied: O most ingenious Theuth, the parent or inventor of an art is not always Two other paradigmatic examples are Plato's myth in the Phaedrus of the inventor of writing giving his demo and Claude Lévi-Strauss's account in Tristes Tropiques of the tribal chief who imitated the anthropologist's writing:īut when they came to letters, This, said Theuth, will make the Egyptians wiser and give them better memories it is a specificīoth for the memory and for the wit. 2 Whether told from the perspective of the native of old media or the ambassador of new media, such tales are a staple of epochs Media encounter such as this Caliban moment of media enchantment/media colonization in McLuhan's essay. No new media experience is fully imaginable, it appears, without the help of what may loosely be called narratives of new To the forms of media ( Marshall McLuhan, "The Medium is the Message" ) In the seventeenth century our ancestors still shared this native's attitude Ours to melody - the resonant intonation was meaning enough.
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Just to be in the presence of those sounds at 7 P.M. Leonard Doob, in his report Communication in Africa, tells of one African who took great pains to listen each evening to the BBC news, even though he could understand nothing ThereĪre more and less capable imaginations of the new media encounter moment, and it is important to be able to tell the differenceīefore we turn specifically to the digital literary studies scene. To help define the goals of this volume, it will be useful to start by reviewing the generic features of this tale. New media, it turns out, is a very old tale.
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1īut if the Companion is an account of new media encounter, then it also belongs to a long lineage of such "first contact" narratives in media history.
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And "new media" is the concept that helps organize our understanding of how to negotiate - which is to say, mediate - the mixed protocols in the encounter zone. Think in terms of an encounter rather than a border. Information has now been so breached by shared technological, communicational, and computational protocols that we might best The premise is that the boundary between codex-based literature and digital
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A Companion to Digital Literary Studies is fundamentally a narrative of what may be called the scene of "new media encounter" - in this case, between the literary and the digital. On contemporary "digital literary studies." Perhaps the best way to characterize their collective account is to say that it depicts a scene of encounter.
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